AI Prompt Library

Pleiadians celebrating Sheen , masterpiece, ultra Hd quality resolution, volumetric bright lighting colors tones and shading

A girl skating at high speed through a crowded urban street, dodging people, jumping over small obstacles, passing cars and bikes, fast cuts, motion blur, handheld camera feel, energetic vibe, realistic environment, high detail.

Create for me what the "Initial singularity" might have looked like and contrast that with the cooling of the Universe as the energy condensed into matter. Present for me a pictorial of Einstein's theory: E = mc2 No text on the picture Grok

Knitting the sky 0–5s: One elderly woman with silver hair sits alone in a wooden rocking chair beside an open window at night, knitting with two wooden needles. A long dark blue scarf spills from her lap across the wooden floor. Warm amber lamp light, soft shadows. Medium shot. 5–10s: The viewer moves closer to her hands and the scarf, and the dark yarn reveals tiny glowing stars and slowly swirling galaxies woven into the stitches. One star catches on the tip of her needle and sparkles. Her face softens into a quiet smile. Close-up. 10–15s: She ties off the final stitch and gently tosses the scarf out the open window, where it unrolls upward over the rooftops and becomes the real night sky, stars settling into place. Wide shot from outside the house looking up, warm window glow below, deep blue sky above. Negative Prompt: extra fingers, extra hands, deformed hands, fused fingers, more than two knitting needles, melting needles, warped yarn, second woman, duplicate person, child, modern furniture, television, phone, harsh white lighting, neon colors, cartoon style, anime style, plastic skin, distorted face, flickering, glitch artifacts, text, watermark, logo, fast camera shake, slow motion, scarf turning solid, glowing face, sparkle overload, lens flare spam, fireworks, daytime sky

Create a image overnight and shining on carrying a maiden across a broken bridge renaissance. She will be fine. She’s just bruised on her outer ego.

Young Aveline stands beside her massive black dragon on the mountain landscape. The dragon suddenly raises and slowly spreads its enormous dark wings to their full span, powerful and majestic. Wind rushes outward from the movement, blowing Aveline’s...

Generate a [30-second, 16:9 horizontal, 4K, live-action, high-budget cinematic quality] "Chinese Civilization Time Travel" short film, deeply referencing the actual camera structure and time progression logic of my uploaded reference video: This is not an edit of multiple historical scenes, but a single camera following [the same Chinese male] continuously forward from second 0 to 30, traveling from ancient times through thousands of years of Chinese civilization, and finally continuing past contemporary times into the future like the reference video; Use my uploaded male photo as the [sole and absolute face reference] for the entire film, the photo is only responsible for locking the person's identity, strictly maintaining his face shape, feature proportions, eyebrows/eyes, eye distance, nose bridge/tip, lips, jawbone, facial bone structure, skin tone base, youthful age sense, and recognizability. Absolutely do not reference the blue suit, tie, restaurant, chandelier, roses, jewelry, sitting posture, or background in the photo. Throughout 0-30s, viewers must clearly recognize this is the man from the reference image; prohibit changing actors per era, prohibit feature drift, prohibit becoming different ancient handsome guys or AI template faces. Era changes can only alter his hairstyle, hair length, binding method, beard, clothing materials, footwear, headwear, belts, tools, accessories, status, and habits. The entire film must visually be a true "one-take shot," prohibiting hard cuts, black screens, flash whites, fades, dissolves, sudden scene changes, character teleportation, or background refreshes. The character must never stand still letting the world change around him; he must actively move forward, running, walking fast, crossing, jumping down stairs, dodging sideways, grabbing vehicles, passing through crowds, pushing doors, climbing bridges, passing buildings, going past transport. The camera moves with him, naturally changing framing between side-front tracking, frontal backward tracking, lateral panning, rear chasing, low-angle footsteps, wide shots, and close-ups like the reference video. All era transitions should prioritize hidden cuts using real physical motion, e.g., rocks, pottery wheels, cart wheels, chariots, pillars, flags, fabrics, scrolls, doors, bridge columns, carriages, steam, trains, buses, crowds, glass curtains, transparent barriers passing extremely close to the camera and briefly obscuring for 0.2-0.8 seconds. During obstruction, character styling, held items, ground, and surrounding world must evolve simultaneously. After obstruction ends, stride, center of gravity, direction, speed, and spatial position must completely continue from the previous instant; absolutely no "background changed era but character didn't." 0-3s must be gripping: Early morning sunrise, ancient Chinese cliffs and huge river valleys, low-angle morning light through mist, distant vast mountains/rivers/forests/wildlife/tiny primitive settlements, faint campfire near cave, wind blowing grass and rough long hair. The man is now an ancient Chinese ancestor, face remains him, wearing rough animal skins/plant fibers/primitive weavings, skin with real pores/sweat/dust/light tan, holding stone-tipped wooden spear. He hears a sound, turns quickly, runs forward along slope. Camera drops from wide shot to side-front high-speed tracking. He crosses a large rock, camera lowers following feet; landing moment no cut, dry rock texture spreads forward becoming wet mud/ridges/early farmland. Animal skins turn to hemp/kudzu cloth during run/self-occlusion. Wooden spear shortens to plow/sickle during hand switch. Loose hair binds simply. Surroundings grow semi-subterranean/wood-earth houses/pottery/grain/baskets/mills/livestock/drying racks/people living/laboring. ~3-5s enter Neolithic farming civilization, character rushes through village, dodging residents/animals. Giant rotating pottery wheel passes horizontally extremely close filling frame; clay texture hardens/deepens/gains metallic luster, circular structure evolves into bronze ritual vessel patterns/chariot wheels. ~5-7.5s after obstruction leaves, space continuously enters Xia/Shang/Zhou Bronze Age. Running uninterrupted, coarse hemp clothes become real/simple/structured early Huaxia attire (not Xianxia/idol drama/studio Hanfu). Rammed earth walls/wood structures/bronze casting/furnaces/carriages/horses/flags/ritual vessels/busy residents appear. Runs onto higher road, chariot crosses quickly, he dodges, grabs long flag blown by wind for momentum. Huge flag cloth sweeps camera causing full obstruction; during coverage, hairstyle/collar/leather belt/footwear/road structure evolve toward Qin/Han. ~7.5-10s after cloth leaves, running in real Qin/Han city gates/post roads. Same face unchanged. Ordinary traveler/city male, real bound hair/cross-collar clothes/leather belt/cloth shoes, not emperor/general. Camera tracks from side through gates/inns/crowds/carriages. Briefly grabs edge of moving carriage, carried forward two steps then lets go, keeps running. Giant wooden wheel rolls past close to camera; as wheel leaves, empty road expands/widens along direction adding buildings/shops/goods/crowds/colors. ~10-12.5s continuously enter prosperous Tang Dynasty large city. Character becomes real Tang ordinary city male attire, face kept. Streets not empty film sets but filled with real wood pavilions/vendors/horses/camel teams/diverse merchants/goods/food/cloth/vessels/flags/crowded life flow. Rushes through crowds, ducks under lifted beam, slips between horses/pedestrians. Camera moves from side to frontal backward. Market colored banners fall from above onto camera; fibers thinning turning into unfolded rice paper scroll. Camera slides along surface; ink/river/bridge/building lines gain volume via perspective. No magic glow; painted bridge lines become real railings, landscape lines become river/city structure. ~12.5-15s after passing paper edge, entered extremely prosperous Song Dynasty city. Same man, action uninterrupted, clothes/hair sync to Song. Real rivers/arch bridges/shops/tea houses/boats/vendors/porcelain/calligraphy/printing/goods/dense citizen life extend forward. Runs onto bridge, camera lowers near deck backward tracking. Holds railing dodging large cargo box; box close causes brief obstruction. When found again, rushing down steps pushing giant wooden door. Thick door panel slides past camera; during full obstruction, alleys/buildings/fabric/headwear continue evolving. ~15-17s after passing door, naturally enter Ming/Qing city. Still same man, clothes fit real ordinary resident, no Qing palace drama, no officials/luxury everywhere. Mature alleys/archways/shops/courtyards/warehouses/handicrafts/vendors/residents/goods/carriages. Moves fast forward. Wooden vehicle grazes him; camera close to wheel; wood rim gains iron bands/steel/rivets/mechanical structure during spin. ~17-20s wooden wheel becomes steam locomotive giant iron wheel; wood city becomes modern Chinese railway/steel beams/brick buildings/utility poles/lights/newsstands/bicycles/modern station/docks/factories. Must be clearly modern China, not British Industrial Revolution. Traditional clothes transition to modern Changshan/Jacket/early Western mix. Moves fast along steam train; massive white steam sprays covering frame ~0.5s; step frequency maintained in steam. ~20-22s as steam clears, train/road/city evolved to 20th Century China. Bicycle flows/buses/trams/residential blocks/shops/wires/crowds appear. Hair short, clothes from Changshan to Zhongshan Suit/shirt/jacket/trousers. Bus crosses foreground obstructing; streets wider, bikes become cars, low-rises develop upward, glass/reinforced concrete/public transport increase. Continues forward. ~22-24s enter true contemporary Chinese city. Camera parallel to giant glass curtain wall; reflection shows old city accelerating evolution: bikes/buses/low-rises become modern roads/subway/high-speed rail/EVs/commercial streets/greenery/parks/glass buildings. Passing edge reveals real contemporary city. Vibe blends Shanghai/Shenzhen/Hangzhou but no direct landmark copies. Man is now modern young male, keeping reference face.

Created a 20 seconds cinematic Japanese-style scene of a young schoolgirl walking alone through a quiet Japanese residential street during warm golden-hour sunlight, shown from behind as she slowly approaches a railway crossing with a train passing in the background, then transitioning to a close-up of her face and flower-decorated hair as she watches the train, followed by a wider shot of her standing near a quiet canal with soft evening light reflecting on the water, then showing her gently touching small white flowers in a golden field, with close-up shots of her hand and the flowers moving naturally in the breeze, gradually transitioning to a wide sunset landscape with the girl standing peacefully in the field, and finally ending with a warm close-up of her face as she softly looks toward the camera, maintaining the same character, hairstyle, school uniform, realistic skin details, natural expressions, smooth cinematic camera movement, soft depth of field, warm sunset lighting, realistic Japanese environment, subtle film grain, peaceful emotional atmosphere, and a dark fade-out at the very end.

Create a cinematic, ultra-realistic 9:16 school classroom scene. A young male student with styled red hair suddenly reacts dramatically as a large burst of flames erupts from a backpack in front of him. Another student in a school uniform sits at a desk in the background, shocked and watching. Warm classroom lighting, realistic fire and smoke effects, dynamic movement, natural facial expressions, detailed environment, cinematic camera motion, shallow depth of field, realistic textures, dramatic atmosphere, high detail, 4K, photorealistic.

Create a 30-second ultra-realistic fictional home-video featuring an adult Korean man in his late 20s spending a cheerful afternoon in an older Seoul residential neighborhood. CHARACTER: A fictional adult Korean man in his late 20s with medium-to-long dark hair tied in a casual low ponytail, natural masculine facial features, realistic skin texture and a friendly expressive personality. Keep his appearance consistent throughout the entire video. OUTFIT: He wears a bold, fashionable summer outfit consisting of a vivid red fitted T-shirt, high-waisted relaxed-fit white denim shorts, clean casual sneakers, a simple bracelet, small understated earrings and a small shoulder bag. The outfit is youthful, colorful and stylish, appropriate for a warm summer day. SCENE 1 — LEAVING HOME He steps out of an older Seoul apartment building carrying a small reusable shopping bag. He closes the gate behind him, notices the camera and gives a spontaneous smile before walking down the quiet residential lane. SCENE 2 — LOCAL BAKERY He enters a tiny neighborhood bakery, looks through the pastry display and chooses a small baked treat. He pays the shopkeeper with coins, thanks them and walks back outside. SCENE 3 — FRIENDLY ENCOUNTER While walking through the narrow lane, he suddenly sees his adult male friend approaching from the opposite direction. They smile, greet each other warmly and share a quick friendly hug. They chat and laugh for a moment before waving goodbye and continuing in opposite directions. SCENE 4 — FRUIT STAND He stops at a small roadside fruit stall and chooses a peach. He pays the vendor, places it inside his shopping bag and continues walking. SCENE 5 — EVERYDAY NEIGHBORHOOD MOMENT He walks beneath trees while eating his pastry. A bicycle passes nearby, and he naturally steps aside. He looks around at the quiet houses and smiles as the camera follows him from a short distance. SCENE 6 — ENDING He reaches the end of the lane, turns toward the camera and gives a cheerful wave. He smiles naturally and says, “Bye bye!” He then turns around and walks away down the residential street while carrying his bag and peach. The camera stays behind him until he disappears around the corner. CAMERA STYLE: Authentic early-2000s consumer MiniDV home-video footage. Handheld camera shake, imperfect framing, autofocus hunting, automatic exposure fluctuations, soft digital detail, mild digital noise, slight compression artifacts, realistic motion blur and occasional awkward zooms. It should feel like a genuine recording made by a friend or family member, not a professional production. AUDIO: Only natural neighborhood sounds: footsteps, bicycles, distant traffic, bakery activity, casual conversations, birds, children playing and light wind. No music, no narration, no subtitles, no text overlays, no beauty filter, no sexualized

Turn {argument name="person" default="Sundar Pichai"} in to a ‘Monster that nobody knows’

Claymation Capt. apathy drinking at a bar while villains destroy the world on tv.

Grok super ai Lacoste crocodile embroidered on a blue-and-white striped polo shirt, the crocodile is winking one eye and holding a tiny gift box in its front claws, high-fashion editorial style, clean witty not crude. Base the embroidered crocodile exactly.m

Ultra-realistic cinematic portrait of a beautiful young woman in an elegant upscale restaurant at night, wearing a sophisticated black outfit, holding a clear wine glass while gracefully walking through a warm, dimly lit interior. Later, close-up portrait with her looking softly to the side, natural expressive eyes, subtle makeup, smooth realistic skin texture, dark brown hair loosely styled with delicate strands framing her face, intimate and mysterious mood, warm amber practical lights, creamy bokeh in the background, shallow depth of field, cinematic low-key lighting, realistic shadows, luxury editorial photography, 85mm lens, f/1.4, HDR, highly detailed, photorealistic, 8K, vertical 9:16 composition.

Arrow steals a step, sword steals a line. Prompt: Cinematic realistic texture, pure ancient Chinese Xianxia hard-core combat aesthetics. Break away from simple weapon duels. Core focus: Foreground/background crossfire geometric relationship. Foreground: Knife master pressing close. Background: Archer controlling the Senior Sister's future movement paths. Camera language absorbs classic wuxia spatial awareness without copying specific films. Archer logic based on Song Dynasty 'Shooting Scripture' principles (stability, aim, full draw, rhythm). Reference & Environment: Use @Image 1 and @Image 2 as identity anchors. Recombine background references into unified environmental DNA (terrain, architecture, materials, weather, light, depth). Choose a battle axis suitable for depth attack (courtyard, bridge, path). Background must remain alive but narratively neutral (wind, water, mist move independently). Strict prohibitions: No sudden bridge breaks, no fog hiding, no trees blocking arrows automatically. Characters: ID A (Senior Sister): 25-30yo, white silk Hanfu, silver straight sword. ID B (Junior Sister): 20-25yo, green linen Hanfu, steel sword. Passive witness. Master: Passive witness. Enemies: 1 Foreground Knife Master (dark gear), 1 Background Archer (stable position). Structure (15s total): 0-5s: Wide shot. Archer fires first arrow NOT at body, but at retreat spot. Knife master charges. Senior dodges inward because retreat is blocked. Arrow visible in ground behind her. 5-10s: Medium shot. Knife presses. Archer calmly loads second arrow aimed at *future* position. Senior feints retreat, stops suddenly. Arrow flies through empty space. Senior uses momentum to drag Knife Master into Archer's line of fire. Archer holds fire due to friendly fire risk. 10-15s: Close-up. Knife Master realizes tactic, spins out of line, attacks again. Archer draws third arrow. Senior enters dead zone. She uses sword plane to deflect knife direction, rotating bodies 90 degrees. Arrow passes safely behind them. She exploits enemy's half-second distraction, sheathes sword near his jaw. Silence. Ending: Master says "Arrow steals a step, sword steals a line." Cut to black.

Extend make them say Sean add Rihanna with curly hair in the same outfit but latex

Earth rise behind moon, golden dappling light with subtle 35mm grain https://t.co/wkqis6MT5k

They immediately developed self-cleaning optics for all of their systems and they start to have a massive car wash in an infinite-dimensional Klein bottle

Remove the hands out of the scene. Make the water into a busy highway with different teslas riding on it. Put the earth up closer to the sky. With a lot of stars in it and the moon....

15-second photorealistic live-action dark fantasy. Two explorers inside a vast underground cavern discover the enormous fossilized skeleton of an ancient dragon embedded in rock. The complete skull and massive rib cage are clearly visible. Realistic geology, headlamps, dust, scale and human movement. 0–4s - DISCOVERY: Wide shot. The explorers walk beneath gigantic fossilized ribs towering over them. One places his gloved hand against a rib for scale. THUMP. A deep heartbeat reverberates through the entire skeleton. Both explorers freeze. 0–8s IT BEATS AGAIN: Close shot on the hand touching the fossil. THUMP. Stronger. Dust jumps from every bone simultaneously. The explorer immediately pulls his hand away. THUMP. The dragon’s huge rib cage visibly expands a few centimeters as if taking its first breath in centuries, then settles. The explorers slowly back away. 8–12s - WAKING: Camera tracks toward the enormous fossilized skull. Another violent heartbeat. Small rocks fall from the skull. Its lower jaw slowly opens with a deep grinding sound. Inside the empty eye socket, something moves deep in the darkness. 12–15s - CLIFF-HANGER: Wide shot with the tiny explorers beneath the skeleton. THUMP. The entire cavern shakes. The dragon’s enormous fossilized front claw suddenly CLOSES against the stone floor. The explorers stare upward. A massive inhale echoes through the cavern. CUT TO BLACK. Sound: cavern ambience, increasingly powerful heartbeats resonating through bone, falling grit, grinding fossilized joints, final enormous breath. Photorealistic and physically grounded. The dragon remains a fossilized skeleton throughout - no flesh regeneration, transformation, magical glow or fire. Keep exactly two explorers and one consistent skeleton. Real bone weight, dust and rock interaction. No extra limbs, changing anatomy, glowing eyes, fantasy particles or CGI look.

Shot 1 (0.0–1.2s): Character A, matching reference face/outfit, sits on a couch in a large suburban living room at night, phone in hand, warm lamp light against dark windows. Shot 2 (1.2–2.4s): Static wide shot of an empty hallway leading upstairs, dim nightlight, complete stillness. Shot 3 (2.4–3.4s): Close-up of her phone lighting up with an unknown number; she hesitates before answering. Shot 4 (3.4–4.4s): She answers. A distorted voice whispers, “Have you checked on the kids?” Her expression turns uneasy. Shot 5 (4.4–5.4s): She hangs up and nervously looks toward the dark staircase as the house creaks above. Shot 6 (5.4–6.6s): Wide static staircase shot; she slowly rises from the couch and heads upstairs. Shot 7 (6.6–7.8s): She cautiously climbs the stairs, gripping her phone tightly, floorboards creaking. Shot 8 (7.8–9.0s): Long upstairs hallway; she slowly walks through, checking each door. Shot 9 (9.0–10.0s): Close-up of her opening a child's bedroom door; two children sleep peacefully under a soft nightlight. Shot 10 (10.0–11.2s): She exhales in relief, gently closes the door, and turns back toward the stairs. Shot 11 (11.2–12.4s): Her phone rings again. She freezes mid-hallway. Shot 12 (12.4–13.6s): Close-up of the same unknown number. She answers hesitantly. Shot 13 (13.6–14.8s): The distorted voice repeats, “Have you checked on the kids?” She looks back toward their room. Shot 14 (14.8–16.0s): She demands to know who's calling, her voice trembling as the hallway feels darker and larger. Shot 15 (16.0–17.2s): The voice says, “I'm calling from inside the house.” The line immediately goes dead. Shot 16 (17.2–18.2s): Close-up of her terrified face as realization hits and her phone slips in her trembling hand. Shot 17 (18.2–19.2s): Wide hallway shot; a floorboard suddenly creaks from an unchecked room behind her. Shot 18 (19.2–20.2s): She turns slowly. A closet door at the hallway's end hangs slightly open. Shot 19 (20.2–21.2s): She backs toward the children's room, pulling out her phone to call for help. Shot 20 (21.2–22.2s): Close-up of the phone: no signal. Panic rises. Shot 21 (22.2–23.0s): The closet door slowly creaks farther open in the static hallway shot. Nothing visible inside. Shot 22 (23.0–23.8s): She grabs the children's door handle and looks back down the hallway. Shot 23 (23.8–24.6s): A violent shadowy figure suddenly lunges from the closet, breaking the stillness. Shot 24 (24.6–25.4s): She screams, throws open the children's door, and slams it shut as footsteps rush toward her. Shot 25 (25.4–26.4s): Close-up: her back against the door, breathing heavily as the handle violently rattles. Shot 26 (26.4–27.6s): Wide shot of the children waking terrified; she shields them as the door violently shudders. Shot 27 (27.6–30.0s): Final shot holds on the straining door and her terrified face turned toward camera, cinematic home-invasion horror, unresolved

Main Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing an oversized maroon hoodie and loose casual pants. Preserve her exact identity, facial features, hairstyle, body proportions and appearance throughout. Location: Small old Seoul apartment during a dark, rainy early morning. A large rain-covered bedroom window overlooking blurred neighboring apartment buildings, wet rooftops and faint city lights. Simple wooden furniture, a small bedside table and a quiet lived-in bedroom. Lighting & Atmosphere: Deep early-morning blue-hour ambience. Cold blue-gray light coming through the rainy window with a very weak warm glow from a bedside lamp. Dark cloudy sky, muted colors, soft shadows, slightly underexposed interior and a peaceful sleepy atmosphere. Style: Ultra-realistic early-2000s Sony MiniDV home video filmed by another person holding the camcorder. Completely candid and unstaged. Natural handheld movement, subtle human shake, imperfect framing, gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle low-light digital noise and microphone noise. Smooth continuous real-time motion throughout. No stuttering, judder, frame skipping, duplicated frames, stop-motion appearance, excessive motion blur, speed changes or low-frame-rate look. No stabilization or modern cinematic movement. 00:00–00:03 — WAKING WINDOW: She walks slowly toward the bedroom window, still sleepy, and gently pulls the curtain aside. The dark rainy Seoul morning is revealed. 00:03–00:06 — CONDENSATION: She notices the glass is covered with condensation. She raises one finger and slowly wipes a small clear patch across the fogged window. 00:06–00:09 — LITTLE DRAWING: She absentmindedly draws a tiny simple smiley face in the condensation with her fingertip. She looks at it for a moment with a faint amused smile. 00:09–00:12 — RAIN: She leans closer to the cleared section and watches raindrops running down the glass. The camera gently moves closer, catching the blurred Seoul buildings beyond. 00:12–00:15 — QUIET MOMENT: She rests her forehead lightly against the cool glass for a second, listening to the rain. She gives a tiny peaceful smile as the camera slowly drifts toward the rainy view and cuts. Audio: Natural location sound only—steady rain against the window, faint wind, distant traffic, subtle room ambience, soft footsteps and quiet fabric movement. No music, narration or added sound effects. Goal: Feel like a completely ordinary, intimate early-2000s home-video moment. Nothing dramatic happens; the atmosphere comes from the rainy window,

Editorial fashion photograph of a young man with {argument name="hair style" default="tousled dark wavy hair"}, tan olive skin, defined jawline, short stubble beard and mustache, thick dark eyebrows, brown eyes, wearing dark sunglasses pushed slightly down. He wears a {argument name="shirt color" default="maroon"} short-sleeve polo shirt tucked into wide-leg cream/off-white trousers with a brown braided leather belt, and brown tassel loafers. He stands in profile, leaning forward with one hand resting on the seat of a wooden bar stool, head tilted downward. Plain soft neutral gray studio background, soft even studio lighting, minimalist high-end fashion campaign aesthetic, shot on medium format camera, shallow depth of field, clean commercial look.

[Product and Campaign Info] - Appeal Text: {argument name="appeal copy" default="Exquisite & Selected"} - Brand Copy: {argument name="brand copy" default="Lifelong leather goods created by skilled craftsmanship"} - Target Product: {argument name="products" default="Genuine leather wallet and wristwatch"} [Quality, Effects, and Composition] - Style: Still-life product photography for high-end luxury brand catalogs or luxury magazine spreads. - Subject: {argument name="products" default="Genuine leather wallet and wristwatch"} placed on deep vintage leather or high-quality dark-toned textures. Details that evoke artisanal craftsmanship (such as stitching or metal hairline finishing) are beautifully and richly depicted. - Lighting and Color: A color palette based on deep dark brown, black, and brass gold. Warm amber-toned sidelighting with classic, heavy shadows. - Text Placement (for GPT-image / Nano Banana Pro): Using a thin gold-colored font, the text "{argument name="appeal copy" default="Exquisite & Selected"}" and "{argument name="brand copy" default="Lifelong leather goods created by skilled craftsmanship"}" are subtly placed as typography in a calm position on the screen. [Strict Layout and Output Constraints (Required)] - Output the finished flat 2D design itself, filling the entire canvas. Scene elements inside the design (walls, rooms, shadows) described above are allowed. Absolutely NO photo-of-a-poster mockups: no picture frames, no poster-on-wall or poster-on-desk shots, no perspective warp or drop shadow around the artwork's edges. - Aspect Ratio: --ar 3:4